'The auteur theory is also front and centre in Tom Shone’s monograph on Tarantino(Thames & Hudson, £24.95). For some Tarantino is an example of the auteur as problematic text; a man with an immense facility for image-making and blessed of an unarguable cinephilia set against his hipster misogyny. This book, though, is very much the case for the defence. Shone is simply one of the most eloquent and acute film writers we have, but the retrospective shadow of the Harvey Weinstein allegations now inevitably seep into the margins of his text here given that Tarantino and Weinstein were joined at the hip in their salad days. Then there’s the fact that the more films Tarantino has made the more enamoured the director has become with the sound of his own voice. To his detriment. All that said, this remains a real engagement on Shone’s part with a director who clearly loves cinema. And for those who love him it’s a must. But be warned. It contains a lot of pictures of Quentin. I mean, a lot.' — Teddy Jamieson, The Sunday Herald
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